Reviews of silent film releases on home video. Copyright © 1999-2024 by Carl Bennett and the Silent Era Company. All Rights Reserved.

L’Inhumaine (1924)

Directed by Marcel L’Herbier, L’Inhumaine (The Inhuman Woman) stars the once-famous French opera singer Georgette Leblanc, with support from Jaque-Catelain, Philippe Hériat, Léonid Walter de Malte and Fred Kellerman.

Claire Lescot (Leblanc) is a famous opera singer who draws important men to her like moths to a flame. At luxurious parties in her modernist villa on the outskirts of Paris, Lescot basks in the amorous attentions of her many admirers while always remaining aloof. When it appears she is the reason for a young devotee’s suicide, however, her fans desert her.

Released in France in mid-December 1924 to intense controversy for its cinematic and technical innovations, L’inhumaine is a visual tour-de-force; a fantastical, science fiction melodrama; and a momentous collaboration of legendary figures from the avant-garde movement. L’inhumaine is most notable for the style of filmmaking. In L’Herbier’s words, it represents a “miscellany of modern art,” bringing together some of the greatest artists from the time period, including painter Fernand Léger, architect Robert Mallet-Stevens, glassmaker René Lalique, fashion designer Paul Poiret, and directors Alberto Cavalcanti and Claude Autant-Lara, among others, to create a collaborative cinematic experience. In addition to portraying the starring role, Leblanc helped produce the film with L’Herbier’s new production company, Cinégraphic.

The filming of the concert where Lescot is raucously booed is a renowned piece of cinema history: L’Herbier invited more than 2,000 people from the arts and fashionable society to attend the Théâtre des Champs-Élysées and play the part of the unruly audience. Among the attendees were Pablo Picasso, Man Ray, Erik Satie, René Clair, James Joyce and Ezra Pound (although it is impossible to identify them in the audience shots).

— Carl Bennett