Reviews of silent film releases on home video. Copyright © 1999-2024 by Carl Bennett and the Silent Era Company. All Rights Reserved.

Lost & Found American Treasures from the New Zealand Film Archive (1914-1929)

Contents: Won in a Closet [Won in a Cupboard] (1914), The Active Life of Dolly of the Dailies: Chapter 5 “The Chinese Fan” (1914), [Stories from American Newsreels] (1918 and circa 1921), Birth of a Hat (circa 1920), Lyman H. Howe’s Famous Ride on a Runaway Train (circa 1921), Happy-Go-Luckies (1923), Andy’s Stump Speech (1924), The White Shadow (1924), [Virginian Types: Blue Ridge Mountaineers] (circa 1926), Upstream (1927), The Love Charm (1928), Strong Boy (1929) [theatrical trailer].

In 2010, the National Film Preservation Foundation proudly announced that 75 American films surviving in the collections of the New Zealand Film Archive would be repatriated to American film archives. Many of the films had survived only in the unique prints that had travelled the globe decades ago, only now to return to American shores.

A handful of these films have been cherry-picked for this collection:

Won in a Closet [Won in a Cupboard] (1914), in the first surviving movie directed by and starring Mabel Normand, she bypasses other suitors to find her true love (Charles Avery).

The Active Life of Dolly of the Dailies — Episode 5, “The Chinese Fan” (1914). In this episode of the famous Edison serial, ace woman reporter Dolly Desmond (Mary Fuller), rescues the editor’s daughter from kidnappers and gets the scoop.

[Stories from American Newsreels] are selections from two newsreels, Co-operative Weekly Review (1918) and Selznick News (circa 1921).

Birth of a Hat (circa 1920), one of a number of similarly-titled industrial short films produced by the Stetson hat company illustrating how the then largest hat manufacturing company in the world makes its products.

Lyman H. Howe’s Famous Ride on a Runaway Train (1921), a thrill-packed compilation of Howe’s train films comprises this unique marriage of documentary film with recorded sound accompaniment.

Happy-Go-Luckies (1923) is an early Paul Terry cartoon.

Andy’s Stump Speech (1924) is a two-reel comedy produced by Samuel Van Ronkel Productions, featuring former Keystone Kop Joe Murphy as Andy Gump.

The White Shadow (1924) is actually a British production from the production team of Michael Balcon and Victor Saville, with the fingerprints of Alfred Hitchcock all over it.

[Virginian Types: Blue Ridge Mountaineers] (circa 1926) is another surviving example of the hand-stenciled Pathécolor color-tinting process, which adds interest to this documentary footage of the peoples living deep in the mountains of Virginia.

Upstream (1927), the most-exciting discovery of the collection, is a theatrical romantic comedy directed by John Ford that stars Nancy Nash and Earle Foxe.

The Love Charm (1928) is a South Seas Technicolor short starring unknown actors Lucio E. Flamma and Jean Mann.

Strong Boy (1929) [theatrical trailer] features the only surviving footage from this long-lost John Ford feature film starring Victor McLaglen.

While the collection runs for more than three hours, it is our hope that another intriguing home video collection of the repatriated films from New Zealand is in the planning.

— Carl Bennett