Reviews of silent film releases on home video. Copyright © 1999-2024 by Carl Bennett and the Silent Era Company. All Rights Reserved.

Diary of a Lost Girl (1929)

Thymian (Louise Brooks) is celebrating her confirmation. Yet, on the day of her celebration, Elizabeth the housekeeper leaves in shame. It is clear that Henning, Thymian’s father, has been dallying with her. Elizabeth commits suicide. Louise catches Meta, the new housekeeper, in the arms of her father. When Louise is overcome by the suicide and her discovery, Meinert (Fritz Rasp), the leering and lustful manager of Henning’s pharmacy, rapes her. Later, she bares his child but has refused to reveal the baby’s father to the family. Meta produces Thymian’s diary and Meinert is revealed. When confronted, Meinert refuses to marry Thymian, who doesn’t want anything to do with him either. The family decides for Thymian that the child is to be quietly placed in adoption. It is apparent that Meta is controlling the situation as Henning resignedly allows Thymian to be put into a rigidly-controlled workhouse for wayward girls.

In the reformatory, Thymian directs her appeals for help not to her father but to a friend of the family, the nephew of Count Osdorff. Meinert, still in the Henning pharmacy, is present when Henning marries Meta. Controlling Meta is happy to be presented with the keys to the Henning household. When Osdorff arrives to petition for Thymian, Meta quietly and firmly rebuffs him with sheepish Henning present. Later, with Meta pregnant with the child she has longed for, Meinert purchases the mortgages on Henning’s pharmacy. Meanwhile, Osdorff goes to the workhouse to speak with Thymian, bringing news of her father’s marriage to Meta. With no one left to turn to, Osdorff encourages Thymian to escape the reformatory that evening. The sadistic headmistress attempts to confiscate Thymian’s diary, is thwarted by the girls, and Thymian escapes with her friend, Erika.

Erika takes Osdorff to stay in a place she knows. Thymian returns to the midwife who accepted her child. The midwife claims that the child has died and was just taken away. Depressed, Thymian wanders the streets until she is taken away by a street vendor. Erika and Osdorff are housed happily in a brothel when Thymian arrives with the vendor. Thymian is dressed in a fashionable gown and instantly becomes the center of attention. Lured by alcohol and merry times the semi-conscious Thymian succombs to prostitution. Facing homelessness or prostitution, and now aware of the paltry economic status of the repudiated Osdorff, Thymian offers (as Louise Brooks herself would a few years later) to teach dance lessons. With the brothel madame’s slight alteration to the ad, men soon arrive expecting a dance lesson of the horizontal sort. Her first student soon has his assumptions straightened out by the brusque Dr. Vitalis. One evening, Thymian decides to raffle an evening of her dancing(?) services to raise money for the broke and drunken Vitalis. Escorted by the smarmy Meinert, Henning and Meta are somewhat chagrined to arrive for dinner in the nightclub/brothel, only to see Thymian on display. Across a crowded dance floor a grim father and daughter try to reunite, but Meta steps in to guide Henning away from the shame.

Three years later, still at the brothel, Thymian receives notice that her father has died. Thymian is to attend the reading of her father’s will. With the encouragement of her friends, Thymian begins to dream that she might be able to start her life over again with the inheritance of her father’s estate. It is suggested that she need a new identity and marry Osdorff to become a countess. On a handshake, they agree. At the reading of the will, Meinert exercises his control of the mortgages to seize the pharmacy and the house containing it, effectively putting Meta and her two children on the street. Thymian receives 45,000 marks from Meinert to obtain sole control of the business and property, which she selflessly gives to Meta and her children. A surprise ending awaits the audience and Thymian.

As with several of her films, Louise Brooks remains one of the best qualities of them although she was only an average actress (is this sacrilege?) who can occasionally be caught on camera receiving the direction of her performance.

From the first shot of Louise, she is beautiful in this film. Even later, with her famous hair bangs slicked back in a decidedly male fashion for reformatory life, Louise is stunning.

— Carl Bennett

This Blu-ray Disc edition has been remastered for home video in a new 2K high-definition video transfer from archival 35mm elements controlled by the F.W. Murnau Stiftung. The results are often excellent, with increased image detail that surpasses our hopes for this edition. Detractors may note the pronounced film grain seen in some of the shots, and the emulsion and film base scratches seen in footage conflated from a worn 35mm print into the main 35mm source material. We don’t care since this is such an improvement on the aged 2001 Kino edition that is noted below.

The film is accompanied by a piano music score performed by Javier Perez de Azpeitia.

The supplementary material includes a new audio commentary by Thomas Gladysz, director of the Louise Brooks Society, Windy Riley Goes Hollywood (1931) presented in standard resolution, featuring a newly-repatriated (to Hollywood) Louise Brooks, and a promotional trailer for the BD edition (1 minute).

At a glance, we are quite impressed with the image quality of this new home video edition of Louise Brooks’ last great film and recommend it enthusiastically to Brooks fans and silent film collectors alike.

USA: Click the logomark to purchase this Region A Blu-ray Disc edition from Amazon.com. Your purchase supports Silent Era.
Canada: Click the logomark to purchase this Region A Blu-ray Disc edition from Amazon.ca. Your purchase supports Silent Era.

The film is accompanied by a piano music score performed by Javier Perez de Azpeitia.

The supplementary material includes a new audio commentary by Thomas Gladysz, director of the Louise Brooks Society, Windy Riley Goes Hollywood (1931) presented in standard resolution, featuring a newly-repatriated (to Hollywood) Louise Brooks, and a promotional trailer for the BD edition (1 minute).

USA: Click the logomark to purchase this Region 1 NTSC DVD edition from Amazon.com. Your purchase supports Silent Era.
Canada: Click the logomark to purchase this Region 1 NTSC DVD edition from Amazon.ca. Your purchase supports Silent Era.