The film has been transferred full-frame at proper running speed from a preservation print from the Raymond Rohauer collection. The 35mm print features a broad range of greytones and is moderately marred with speckles, dust, scratches and the beginnings of stock decomposition. The print contains the original French intertitles, with English translations spoken on the soundtrack by actor Jean-Pierre Aumont. As to the video transfer, take note. Artificial edge enhancement (video sharpening) has apparently not been utilized (this is a good thing). And the encoded bit rate of the DVD video image is above average for most discs (averaging 7.5 megabytes per second), with less MPEG-2 video compression and thus more image information per frame, rendering a smoother more filmlike overall image. However . . .

We did note that, in some shots in the video transfer, transitions from medium greytones to black in the darker portions of the image are not smooth. Black and dark grey pixels flit around in the deep grey shadows like clouds of black flies. Those shadow transitions are alive with swarming pixels while the transitions from highlights through medium greys are as smooth as you could want (which discounts any assumption that film grain might be the cause). The effect is quite pronounced in the shot, 12:00 into the film, where Usher escorts the physician out of the room and continues for several shots thereafter until 13:41. The effect is again quite apparent in the brief shot from 15:59 to 16:03 of Usher walking about playing the guitar, and is seen to greater or lesser degree in isolated shots throughout. The effect is minimized but still detectable on small television monitors. Our conjecture — and this is not anything more than an educated guess — is that some shots in the source print were darker than most, and that some attempt was made after the video transfer had been completed to extract as much image detail as possible on a shot-by-shot basis from the shadows of these darker sequences by manipulating the video image’s greyscale contrast curves (which could increase the contrast between the pixels in the shadow areas of the image creating the effect we’ve described). Also, a multicolored video glitch momentarily spots Usher’s collar near the bottom of the picture for several frames beginning at 33:07. Despite these periodically distracting sections, the majority of the shots in the video transfer are quite smooth and replicate the source print’s best qualities well.

We liked the music score that was compiled from existing recordings and edited together by Rolande de Candé and Renée Lichtig. The music is appropriately spooky in places and seems just off-kilter enough to convey the Usher madness and the avant garde pedegree of the film. But, because the DVD audio track has been replicated from the monaural optical soundtrack of the Rohauer source print, viewers cannot expect a state-of-the-art sonic experience.

We admire Epstein’s film for its haunting and sometimes stunning images, and edition producer David Kalat has generally done a good job of bringing the film to DVD, but the video transfer is periodically distracting due to the deficiencies described above. Even so, when we had completed viewing the disc and were faced with the DVD’s main menu screen, we were compelled — helplessly and compulsively like Roderick Usher — to watch the film again.

USA: Click the logomark to purchase this Region 0 NTSC DVD edition from Amazon.com. Your purchase supports Silent Era.
Canada: Click the logomark to purchase this Region 0 NTSC DVD edition from Amazon.ca. Your purchase supports Silent Era .

This PAL DVD boxset edition has been mastered from high-quality 35mm source materials, likely held by La Cinémathèque française film archive.

The film is presented with a music score.

North American collectors will need a region-free PAL DVD player capable of outputting an NTSC-compatible signal to view this edition.

France: Click the logomark to purchase this Region 2 PAL DVD edition from Amazon.fr. Your purchase supports Silent Era.

This PAL DVD edition has been mastered from high-quality 35mm source materials, most of them held by La Cinémathèque française film archive.

The films are presented with music scores performed by Neil Brand, Stephen Horne and Gabriel Thibaudeau.

The supplemental material includes an interview with Cristophe Wall-Romana, and an alternative ending for Six et demi, onze (1928).

North American collectors will need a region-free PAL DVD player capable of outputting an NTSC-compatible signal to view this edition.

France: Click the logomark to purchase this Region 0 PAL DVD edition from Amazon.fr. Your purchase supports Silent Era.

The film is accompanied by a music score.

North American collectors will need a region-free DVD player to view this edition.

This Region 0 NTSC DVD edition is . . .

The disc features reference materials, and cast bios.

North American collectors will need a region-free DVD player to view this edition.

This Region 0 NTSC DVD edition is . . .

Other FRENCH FILMS of the silent era available on home video.

Other AVANT-GARDE FILMS of the silent era available on home video.