With much of this edition being mastered from an archival 35mm positive, the visual quality is generally very-good with from a good 35mm positive. The edition benefits greatly from the new video transfer.

The film is presented with an ensemble music score performed on piano, horn and cello as composed by Gabriel Thibaudeau. An optional improvisational piano score performed by Antonio Coppola is also available. It is a bit annoying that the Thibaudeau music is out-of-sync with the film’s action.

The supplemental material includes a 28-page booklet, the documentary The Birth of the Tramp (2013); the documentary Chaplin’ss Goliath (1996) on Chaplin star heavy Eric Campbell.

The collection is issued in limited-edition steelbook packaging, which we feel must be handled gingerly to avoid damaging its discs and the case itself.

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The special features include the documentary The Gentleman Tramp (1975), narrated by Walter Matthau, with excerpts from My Autobiography read by Laurence Olivier; Chaplin family home movies, including scenes of Chaplin at home near Vevey, Switzerland; the documentary Chaplin’s Goliath (1996) on Chaplin star heavy Eric Campbell; “The Mutual-Chaplin Specials,” an appreciation by Jeffrey Vance, author of Chaplin: Genius of the Cinema; “Making The Gentleman Tramp,” a reminisence by Richard Patterson; and a stills gallery containing more than 90 images from the collection of Jeffrey Vance, many never before published.

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That being said, readers have noted that there is surviving footage from these films that does not appear in this home video edition. Our understanding is that most (if not all) of these films have originated from the Van Beuren Company 35mm negatives that were prepared in the 1950s. Those prints featured music by Winston Sharples and synchronized sound effects, and they can be viewed in their 1950s form (transfered at sound speed) on early laserdisc and VHS collections from Image and Republic. While these 35mm negatives feature superior visual quality, portions of the original footage and intertitles were removed in the 1950s. Some early 16mm reduction prints from Blackhawk Films and others, which originated from other surviving positive prints, feature footage that doesn’t appear in this DVD edition. Logic would lead some to assume that this extra footage survives in 35mm prints held by the world’s film archives and by private collectors.

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This DVD edition of The Rink has likely been presented from the same video transfer as the 1997 Chaplin Mutual collection noted above.

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For this low-budget DVD edition, the film has been transferred from a very-good 16mm reduction print prepared by Blackhawk Films. The quality of the video transfer is coarser the original 1980s laserdisc releases of these films. The picture image retains most of the film’s original greyscale tones, but is slightly greyed in its shadows and picture detail is lacking due to the low video bit rate and overcompression of the video information. The image looks particularly rough on an HD monitor. The transfer cropping is tight but is different from the 1980s laserdiscs, indicating new transfers from the same source materials. Because each source print was from the Blackhawk sound versions (all produced at the sound film speed of 24 FPS), each of the Mutual films on this disc run noticeably faster than the original camera speed of approximately 18-20 FPS.

We don’t recommend this edition but, despite the faster running speed, we sometimes like to return to these older Blackhawk prints, which feature Winston Sharples music, to enjoy the silly sound effects that accompany the slapstick action.

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This low-budget DVD edition is nothing more than a 2002 Delta Entertainment repackaging of the remaining, unsold stock of the 1999 Laserlight edition. Since the only thing new about this Delta edition is its cardboard slipcover, its content is the exactly same as the Laserlight edition reviewed above.

This one isn’t recommended either.

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This DVD edition was mastered from a dark analog video transfer from a 16mm or 8mm reduction print (the resulting quality is so bad, it’s hard to tell).

While the temptation is to get three discs for a low price, the quality of prints used for the video transfers are commensurately low.

The Rink is available in higher-quality home video editions elsewhere. Not recommended and it’s out-of-print now, anyway. No loss.

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The films may be accompanied by soundtracks compiled from preexisting recordings.

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Other SHORT COMEDY FILMS of the silent era available on home video.