Reviews of silent film releases on home video. Copyright © 1999-2024 by Carl Bennett and the Silent Era Company. All Rights Reserved.

The Cook and Other Treasures (1917-1920)

Contents: A Reckless Romeo (1917), The Cook (1918) and Number, Please? (1920).

In The Cook (1918), Roscoe and Buster work in a beachfront cafe. As the cook, Arbuckle has several opportunities to show off his juggling expertise. Buster is a waiter that causes trouble for the fretting owner, and does a hilarious Egyptian dance, which Roscoe joins in on. When a tough guy disrupts the cafe, Luke the dog gives him a run for his money. At lunch, the restaurant crew shows us a number of different and funny ways to eat spaghetti.

The second half of the film follows Roscoe and Buster on their day off fishing and courting at a waterfront amusement park. The tough guy shows up again to cause trouble, only to be thwarted again by Luke.

Presumed lost, fragmentary prints of The Cook were recovered in 1998 by the Norsk Filminstitutt and 2002 by the EYE Film Instituut Nederland to give us a fairly complete representation of the original film. Preservation of the footage was undertaken by the George Eastman Museum film archive.

In A Reckless Romeo (1917), a drunken Roscoe comes home at 3:00 AM to his wife’s ire. The next day, he goes for a trip to an amusement park with his steaming wife and mother-in-law. Roscoe draws the wrath of a jealous boyfriend (Al St. John) when he flirts with the wrong pretty girl. The flirting and the resulting fight is captured on film by a passing newsreel photographer, only to be seen by Roscoe, his wife, his mother-in-law, and the jealous boyfriend at the movie theater the next day! Another film that had been presumed lost, A Reckless Romeo was recovered by the Norsk Filminstitutt in the late 1990s.

Harold Lloyd stars in Number, Please? (1920) as a young man who is vying against Roy Brooks for the attentions of Mildred Davis. When her dog gets away from her at an amusement park, Harold and Roy try to be its chivalrous rescuers. When Mildred wants to take a hot-air balloon ride, both of them vie to be the first to get permission from Mildred’s mother: Roy by running to her house, Harold by trying to get through to her at a bank of busy payphones. The remainder of the film involves a stolen purse.

From a documentary perspective, all three films offer us some excellent views of amusement parks of the late 1910s: California’s Luna Park in The Cook, Palisades Park in Fort Lee, New Jersey, in A Reckless Romeo, and another California park (Ocean Park) in Number, Please? — amusement park historians, take note!

— Carl Bennett